was raised in London, where he took up the keyboards as a child and began to hear jazz by way of the American Armed Forces Network and an older brother's record collection. By his teens, he was playing piano in clubs, and by 1962 he had formed the
and drummer Phil Knorra. In 1964, he won first place in the categories of "New Star" and "Jazz Piano" in a reader's poll in the Melody Maker music paper, but the same year he abandoned jazz for a more R&B-oriented approach and expanded his group to include
(baritone saxophone) as the Brian Auger Trinity. This group split up at the end of 1964, and
. After a few singles, he recorded his first LP on a session organized to spotlight blues singer
, released in 1968.
By mid-1965,
Auger's band had grown to include guitarist
Vic Briggs and vocalists
Long John Baldry,
Rod Stewart, and
Julie Driscoll, and was renamed
Steampacket. More a loosely organized musical revue than a group,
Steampacket lasted a year before
Stewart and
Baldry left and the band split.
Auger retained
Driscoll and brought in bass player
Dave Ambrose and drummer
Clive Thacker to form a unit that was billed as Julie Driscoll, Brian Auger and the Trinity. Their first album,
Open, was released in 1967 on Marmalade Records (owned by
Auger's manager, Giorgio Gomelsky), but they didn't attract attention on record until the release of their single, "This Wheel's on Fire," (music and lyrics by
Bob Dylan and
Rick Danko) in the spring of 1968, which preceded the appearance of the song on
the Band's
Music from Big Pink album. The disc hit the top five in the U.K., after which
Open belatedly reached the British charts. Auger and the Trinity recorded the instrumental album
Definitely What! (1968) without
Driscoll, then brought her back for the double-LP,
Streetnoise (1968), which reached the U.S. charts on Atco Records shortly after a singles compilation, Jools & Brian, gave them their American debut on Capitol in 1969.
Driscoll quit during a U.S. tour, but
the Trinity stayed together long enough to record
Befour (1970), which charted in the U.S. on RCA Records, before disbanding in July 1970.
Auger put together a new band to play less commercial jazz-rock and facetiously called it the Oblivion Express, since he didn't think it would last; instead, it became his perennial band name. The initial unit was a quartet filled out by guitarist
Jim Mullen, bass player
Barry Dean, and drummer Robbie McIntosh. Their initial LP, Brian Auger's Oblivion Express, was released in 1971, followed later the same year by
A Better Land, but their first U.S. chart LP was
Second Wind in June 1972, the album that marked the debut of singer
Alex Ligertwood with the band. Personnel changes occurred frequently, but the Oblivion Express continued to figure in the U.S. charts consistently over the next several years with
Closer to It! (August 1973),
Straight Ahead (March 1974),
Live Oblivion, Vol. 1 (December 1974),
Reinforcements (October 1975), and
Live Oblivion, Vol. 2 (March 1976). Meanwhile,
Auger had moved to the U.S. in 1975, eventually settling in the San Francisco Bay area. In the face of declining sales, he switched to Warner Bros. Records for
Happiness Heartaches, which charted in February 1977.
Encore, released in April 1978, was a live reunion with Julie Tippetts (née
Driscoll) that marked the end of
Auger's association with major record labels, after which he dissolved the Oblivion Express and recorded less often. In 1990, he teamed up with former
Animals singer
Eric Burdon, and the two toured together during the next four years, releasing Access All Areas together in 1993. In 1995,
Auger put together a new Oblivion Express. As of 2000, the lineup consisted of his daughter,
Savannah, on vocals,
Chris Clermont on guitar, Dan Lutz on bass, and his son Karma on drums. This group issued the album
Voices of Other Times on Miramar Records one week before
Auger's 61st birthday.
–
William Ruhlmann, Rovi